PRESERVING THE STATUS QUO IN DAVID FRANKEL’S THE DEVIL WEARS PRADA: A MARXIST PERSPECTIVE
The major problem of this study is how preserving status and power is very important in our life. Hence, the focus of this research is the major principle of Marxism. In analyzing The Devil Wears Prada, the writer uses qualitative method. The object of the study is David Frankel’s The Devil Wears P...
Sábháilte in:
Príomhchruthaitheoir: | Suheni, Suheni |
---|---|
Formáid: | Tráchtas |
Teanga: | English English English English English English English English English |
Foilsithe / Cruthaithe: |
2011
|
Ábhair: | |
Rochtain ar líne: | https://eprints.ums.ac.id/11875/ |
Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Míreanna comhchosúla
Míreanna comhchosúla
-
A PRAGMATIC ANALYSIS OF COMMANDING UTTERANCES IN THE DEVIL WEARS PRADA MOVIE MANUSCRIPT
de réir: Maria, Wafda Hani
Foilsithe / Cruthaithe: (2011) -
POWER ABUSE IN CHARLES DICKENS’S DAVID COPPERFIELD: A MARXIST APPROACH
de réir: ISNIATI , ISNIATI
Foilsithe / Cruthaithe: (2006) -
ICMI: antara status quo dan demokrasi
Foilsithe / Cruthaithe: (1995) -
RACIAL DISCRIMINATION IN BAZ LUHRMANN’S AUSTRALIA
MOVIE (2008): A MARXIST PERSPECTIVE
de réir: AMBARWATI, LIES
Foilsithe / Cruthaithe: (2011) -
DISCRIMINATION OF RACE
IN ROBERTO BENIGNI’S: LIFE IS BEAUTIFUL (1999)
A MARXIST PERSPECTIVE
de réir: NUGROHO, ILHAM AKBAR
Foilsithe / Cruthaithe: (2011)