POWER ABUSE IN CHARLES DICKENS’S DAVID COPPERFIELD: A MARXIST APPROACH

POWER ABUSE IN CHARLES DICKENS’S DAVID COPPERFIELD: A MARXIST APPROACH

Power abuse is one of the social problems in the society. It is happen because there are two social class namely upper classes and lower class. Power abuse can be used as subject in literary work because literary work is a picture of human life. One of the literary work...

Disgrifiad llawn

Wedi'i Gadw mewn:

Manylion Llyfryddiaeth
Prif Awdur:	ISNIATI , ISNIATI
Fformat:	Traethawd Ymchwil
Iaith:	English English English English English English English English English
Cyhoeddwyd:	2006
Pynciau:	L Education (General)
Mynediad Ar-lein:	https://eprints.ums.ac.id/10720/
Tagiau:	Ychwanegu Tag Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!

Eitemau Tebyg

David Copperfield
gan: DICKENS, Charles
Cyhoeddwyd: (1988)

Brodie's notes on Charles Dickens's: little dorrit
gan: HANDLEY, Graham
Cyhoeddwyd: (1986)

Brodie's notes on Charles Dickens's: great expectations
gan: SMITH, T.W
Cyhoeddwyd: (1976)

PRESERVING THE STATUS QUO IN DAVID FRANKEL’S THE DEVIL WEARS PRADA: A MARXIST PERSPECTIVE
gan: Suheni, Suheni
Cyhoeddwyd: (2011)

A tale of two cities: brodie's notes on charles dickens's
gan: SMITH, T.W
Cyhoeddwyd: (1976)

SOCIAL MOBILITY IN ALAN PARKER’S EVITA (1996): A MARXIST APPROACH
gan: SETIYOWATI, ARIS
Cyhoeddwyd: (2010)

DISPARITY OF SOCIAL CLASSES IN JAMES CAMERON’S TITANIC: A MARXIST APPROACH
gan: SUPRIYANTI , DWI
Cyhoeddwyd: (2007)

A CONFLICT OF LOVE IN JANE AUSTEN’S SENSE AND SENSIBILITY: A MARXIST APPROACH
gan: LATHIFAHANUM , MUANNISA
Cyhoeddwyd: (2007)

David copperfield: oxford english picture readers.-- Ed.colour
gan: DICKENS, Charles
Cyhoeddwyd: (1982)

CLASS STRUGGLE IN SPARTACUS MOVIE DIRECTED BY ROBERT DORNHELM: A MARXIST APPROACH
gan: MARVIANINGRUM , ANESYA
Cyhoeddwyd: (2009)

A SOCIO-PRAGMATIC ANALYSIS OF ABUSIVE UTTERANCES IN COMEDY MOVIE MANUSCRIPT
gan: Chielmiaty, Aldise Yofa
Cyhoeddwyd: (2010)

CLASS STRUGGLE AGAINTS HUMAN’S OPPRESSION IN JAMES CAMERON’S AVATAR (2009): A MARXIST APPROACH
gan: ARIANTO, PUPUT
Cyhoeddwyd: (2011)

STRUGGLE FOR BEING A FREE MAN IN MARK TWAIN’S THE ADVENTURES OF HUCKLEBERRY FINN: A MARXIST APPROACH
gan: DWI A , LAELA
Cyhoeddwyd: (2007)

GRIND OF KING XERSES TO THE NATION IN 300 SPARTAN DIRECTED BY ZACK SNYDER (2007): A MARXIST APPROACH
gan: JAYA , ADITYA RANGGA
Cyhoeddwyd: (2011)

DEFENSE MECHANISM OF JACOB BLACK REFLECTED IN DAVID SLADE’S ECLIPSE MOVIE (2010): A PSYCHOANALYTIC APPROACH
gan: SETYANINGRUM , ARDHITA
Cyhoeddwyd: (2011)

A DEIXIS ANALYSIS OF SONG LYRICS IN DAVID ARCULETHA ALBUM
gan: EKASARI, PRIMA
Cyhoeddwyd: (2010)

RACIAL DISCRIMINATION IN BAZ LUHRMANN’S AUSTRALIA MOVIE (2008): A MARXIST PERSPECTIVE
gan: AMBARWATI, LIES
Cyhoeddwyd: (2011)

DISCRIMINATION OF RACE IN ROBERTO BENIGNI’S: LIFE IS BEAUTIFUL (1999) A MARXIST PERSPECTIVE
gan: NUGROHO, ILHAM AKBAR
Cyhoeddwyd: (2011)

STRIFE FOR POWER IN RON HOWARD’S ANGEL AND DEMON MOVIE (2009): A MARXIST APPROACH
gan: LISTYONINGRUM, DEWI
Cyhoeddwyd: (2011)

STRUGGLE FOR PROSPERITY IN JOHN GRISHAM’S A A MARXIST APPROACH PAINTED HOUSE: A MARXIST APPROACH
gan: SOLEH,, ISMAIL
Cyhoeddwyd: (2007)

SOCIAL DISCRIMINATION IN MICHAEL LEMBECK THE CLIQUE MOVIE (2008): MARXIST CRITICISM
gan: SARTINI , SARTINI
Cyhoeddwyd: (2011)

STRUGGLE OF SPARTAN TO MAINTAIN THEIR INDEPENDENCE IN 300 MOVIE BY ZACK NYDER (2007): A MARXIST APROACH
gan: SASONGKO , BAYU
Cyhoeddwyd: (2011)

THE CREATIVE POWER OF PAUL GERTRUDE IN D.H. LAWRENCE’S SONS AND LOVERS : AN INDIVIDUAL PSYCHOLOGICAL APPROACH
gan: SETYANGGORO , BINTANG
Cyhoeddwyd: (2006)

INJUSTICE IN RIDLEY SCOTT’S GLADIATOR MOVIE: A MARXIST APPROACH
gan: Amrulloh, Okfani
Cyhoeddwyd: (2010)

SOCIAL CONSTRUCTION OF POWERFUL WOMEN TO FIGHT AGAINST CRIMINAL ACTS IN JOSEPH McGINTY NICHOL’S CHARLIE’S ANGELS MOVIE (2000) : A FEMINIST APPROACH
gan: HIKMAH , DITANIA ALFI
Cyhoeddwyd: (2010)

A PSYCHOANALYTIC APPROACH
gan: WIJAYANTI, RATRI PUTU
Cyhoeddwyd: (2011)

RACIAL DISPUTE IN LAGRAVENESE’S FREEDOM WRITERS MOVIE (2007) A MARXIST APPROACH
gan: PRASETYAWATI, ANITA DEWI
Cyhoeddwyd: (2011)

RACIAL INJUSTICE IN THE HARPER LEE’S TO KILL A MOCKINGBIRD NOVEL: A MARXIST APPROACH
gan: NOVITA, NOVITA
Cyhoeddwyd: (2011)

REVENGE IN WILLIAM SHAKESPEARE’S HAMLET: A PSYCHOANALYTIC APPROACH
gan: SUHARTO , APRILIA TUTUT
Cyhoeddwyd: (2010)

Practising feminism: identity, difference, power/EditorNickie Charles dkk
gan: PRACTISING ..
Cyhoeddwyd: (1996)

ANXIETY AS REFLECTED IN FRIEDRICH DUERRENMATT’S THE VISIT: A PSYCHOANALYTIC APPROACH
gan: PURNOMO , YULI BRATYASTUTI
Cyhoeddwyd: (2006)

LANGUAGE, IDEOLOGY AND POWER RELATION REFLECTED IN THE HEADLINES NEWS OF THE JAKARTA POST AND THE JAKARTA GLOBE
gan: Winarni, Sri
Cyhoeddwyd: (2010)

LANGUAGE, IDEOLOGY AND POWER RELATION REFLECTED IN THE EDITORIALS NEWS OF THE JAKARTA POST AND THE JAKARTA GLOBE
gan: Winarsih, Sri
Cyhoeddwyd: (2010)

SYMBOLISM ON GERARD MANLEY HOPKINS POEMS: A SEMIOTICS APPROACH
gan: ESTRINI , UPIT TRIE
Cyhoeddwyd: (2007)

ANXIETY IN CATHERINE COOKSON’S THE NICE BLOKE: A PSYCHOANALYTIC APPROACH
gan: WIBOWO , HANAFI
Cyhoeddwyd: (2007)

OPPRESSION AGAINST THE BLACK IN JAMES GARTNER’S GLORY ROAD MOVIE: A MARXIST APPROACH
gan: MARTARINA, NIKA
Cyhoeddwyd: (2010)

ANXIETY IN BARBARA PARK’S THE KID IN THE RED JACKET: A PSYCHOANALYTIC APPROACH
gan: DARMANTO, PRIYONO
Cyhoeddwyd: (2010)

ANXIETY OF ARTHUR DIMMESDALE IN SCARLET LETTER MOVIE: A PSYCHOANALYTIC APPROACH
gan: ARIYANTI, FITRI SRI
Cyhoeddwyd: (2010)

THE INFLUENCE OF AMERICAN SOCIETY IN KATE CHOPIN’S THE AWAKENING: A SOCIOLOGICAL APPROACH
gan: ZULIANI, DANING
Cyhoeddwyd: (2007)

WOMEN’S INDEPENDENCE IN DANIEL DEFOE’S THE FORTUNATE MISTRESS: A FEMINIST APPROACH
gan: ANBIYAK , NUR MUHAMMAD
Cyhoeddwyd: (2007)

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