ANXIETY OF WINSTON SMITH IN GEORGE ORWELL’S 1984:
A PSYCHOANALYTIC APPROACH

ANXIETY OF WINSTON SMITH IN GEORGE ORWELL’S 1984: A PSYCHOANALYTIC APPROACH

The problem of this study is how the anxiety of the major character is reflected in George Orwell’s 1984. The objectives of this study are to analyze George Orwell’s 1984 based on the structural elements and to analyze the novel based on the psychoanalytic approach. The writer employs qualitative me...

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Bibliografiske detaljer
Hovedforfatter:	PRIBADI, SUSILO
Format:	Thesis
Sprog:	English English English English
Udgivet:	2007
Fag:	PN Literature (General)
Online adgang:	https://eprints.ums.ac.id/10695/
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Lignende værker

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ANXIETY OF QUEEN GORGO IN SNEYDER’S 300 MOVIE (2007): A PSYCHOANALYTIC APPROACH
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QUEEN ELIZABETH II’S ANXIETY IN STHEPEN FREARS’ THE QUEEN MOVIE (2006): A PSYCHOANALYTIC APPROACH
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ANXIETY OF AUGUST RUSH IN AUGUST RUSH MOVIE BY KRISTEN SHERIDAN (2007): A PSYCHOANALYTIC APPROACH
af: NOVITASARI, AZZAHRA
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EDWARD’S ANXIETY TO PROTECT HIS LOVE IN CATHERINE HARDWICK’S TWILIGHT MOVIE (2008): A PSYCHOANALYTIC APPROACH
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THE ANXIETY OF SOLOMON KANE IN MICHAEL J. BASSET SOLOMON KANE MOVIE (2010): A PSYCHOANALYTIC APPROACH
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ANXIETY OF J.T.SANBORN IN THE HURT LOCKER MOVIES DIRECTED BY KATHRYN BIGELOW (2008): A PSYCHOANALYTIC APPROACH
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ANXIETY OF ISABELLA SWAN ON LOOSING HER LOVE IN CHRIST WEITZ’s NEW MOON MOVIE: A PSYCHOANALYTIC APPROACH
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AMBITION OF FAUST IN JOHANN WOLFGANG VON GOETHE IN FAUST PLAY: A PSYCHOANALYTIC APPROACH
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BELLA’S STRIVE FOR LOVE IN CATHERINE HARDWICKE’S TWILIGHT MOVIE (2008): A PSYCHOANALYTIC APPROACH
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ERIC CLARKS’ TRAUMA IN RODRIGO GARCIA’S PASSENGERS MOVIE (2008): A PSYCHOANALYTIC APPROACH
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DEFENSE TO SURVIVE OF SYDNEY WELLS IN DAVID MOREAU’S “THE EYE” MOVIE: A PSYCHOANALYTIC APPROACH
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IMAM’S DEVIATION IN NAWAL EL SAADAWI’S THE FALL OF THE IMAM NOVEL (1989): A PSYCHOANALYTIC APPROACH
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THE PERSONALITY OF ESTHER COLEMAN IN JAUME COLLET SERRA’S ORPHAN MOVIE (2009): A PSYCHOANALYTIC APPROACH
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DEFENSE MECHANISM OF AILEEN IN MONSTER MOVIE (2008) DIRECTED BY PATTY JENKINS’: A PSYCHOANALYTIC APPROACH
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THE PERSONALITY OF APRIL WHEELER IN SAM MENDES’S REVOLUTIONARY ROAD (2009) MOVIE: A PSYCHOANALYTIC APPROACH
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THE DEFENSE MECHANISM OF IAGO AS A TRAITOR TO BUILD TRUST IN OTHELLO WILLIAM SHAKESPEARE DRAMA: A PSYCHOANALYTIC APPROACH
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DEFENSE MECHANISM OF SAYURI’S PROBLEM IN ROB MARSHALL’S MEMOIRS OF A GEISHA MOVIE (2005): A PSYCHOANALYTIC APPROACH
af: NILASARI, NUNIK
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SYMBOLISM IN GEORGE ORWELL’S ANIMAL FARM
af: NURUDDIN , AHMAD
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LIU XING’S AMBITION TO BE A SCIENTIST IN CHEN SHI-ZHENG’S DARK MATTER (2008) MOVIE: A PSYCHOANALYTIC APPROACH
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DEFENSE MECHANISM OF JERRY SHAW IN D.J.CARUSO’S EAGLE EYE MOVIE (2008): A PSYCHOANALYTIC APPROACH
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af: SEPTININGTYAS, DEWI NINA
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THE IMPACT OF CONSUMERISM TOWARD REBECCA’S PERSONALITY IN P. J. HOGAN’S CONFESSIONS OF A SHOPAHOLIC MOVIE (2009): A PSYCHOANALYTIC APPROACH
af: NOVIANI, ANGGARI KHARISMA
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ANXIETY OF DINAH MORRIS IN GEORGE ELLIOT’S ADAM BEDE: A PSYCHOANALYTIC APPROACH
af: INDRIYANTI , TUTI
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Orwell 1984
af: KAPLAN, Robert B.
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UNFAVORABLE EFFECT OF MENTAL STRESS IN ARTHUR DIMMESDALE’S ROLE AS A PRIEST IN NATHANIEL HAWTHORNE’S NOVEL THE SCARLET LETTER (1986) ; A PSYCHOANALYTIC APPROACH
af: SAPTARINI, APRILIANA DEWI
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SPLIT PERSONALITY OF ROBERT FORD IN ANDREW DOMINIK‟S THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD MOVIE: A PSYCHOANALYTIC APPROACH
af: ANGGANI, FAJAR AFRI
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STRUGGLE FOR PROSPERITY IN JOHN GRISHAM’S A A MARXIST APPROACH PAINTED HOUSE: A MARXIST APPROACH
af: SOLEH,, ISMAIL
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INJUSTICE IN RIDLEY SCOTT’S GLADIATOR MOVIE: A MARXIST APPROACH
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RACIAL INJUSTICE IN THE HARPER LEE’S TO KILL A MOCKINGBIRD NOVEL: A MARXIST APPROACH
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LOVE AND BELONGING NEEDS OF SAYURI IN MEMOIRS OF A GEISHA MOVIE: A HUMANISTIC PSYCHOLOGICAL APPROACH
af: HERAWANI, MEIRNA ADITIA
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WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH
af: MAHFUDH, NANANG MUHAMMAD
Udgivet: (2010)

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