RACIAL HOSTILITY IN RICHARD LA GRAVENESE’S MOVIE FREEDOM WRITERS (2007): A SOCIOLOGICAL APPROACH

RACIAL HOSTILITY IN RICHARD LA GRAVENESE’S MOVIE FREEDOM WRITERS (2007): A SOCIOLOGICAL APPROACH

The study is about the relation between environment and character building in Richard Lagravenese’s movie entitled Freedom Writers. The major problem in this research is how the racial hostility is reflected In Richard Lagravenese’s movie Freedom Writers. The objectives of the study are to describe...

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Bibliografische gegevens
Hoofdauteur:	SURIANA, SEPTI
Formaat:	Thesis
Taal:	English English English English English English English English English
Gepubliceerd in:	2011
Onderwerpen:	PN Literature (General)
Online toegang:	https://eprints.ums.ac.id/11798/
Tags:	Voeg label toe Geen labels, Wees de eerste die dit record labelt!

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RACIAL DISPUTE IN LAGRAVENESE’S FREEDOM WRITERS MOVIE (2007) A MARXIST APPROACH
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PREJUDICES AND STEREOTYPES IN MULTICULTURAL SOCIETY IN RICHARD LAGRAVENESSE’S FREEDOM WRITERS MOVIE (2007); A SOCIOLOGICAL APPROACH
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THE SEARCH FOR MEANING OF EXISTENCE IN FREEDOM WRITERS MOVIE BY RICHARD LAGRAVENESE (2007); EXISTENTIALIST APPROACH
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RACIAL DISCRIMINATION REFLECTED IN KENNY LEON’S A RAISIN IN THE SUN MOVIE (2008): A MARXIST APPROACH
door: SEPTIYANA, DWI
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THE POLITICAL CONSPIRACY IN BRYAN SINGER’S VALKRYIE MOVIE (2008): A SOCIOLOGICAL APPROACH
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RACISM IN ROBERT TOWNE’S ASK THE DUST MOVIE (2006): A SOCIOLOGICAL APPROACH
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RACIAL INJUSTICE IN THE HARPER LEE’S TO KILL A MOCKINGBIRD NOVEL: A MARXIST APPROACH
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SOCIAL AND MORAL RESPONSIBILITY IN ERIC TILL’S LUTHER MOVIE (2003): A SOCIOLOGICAL APPROACH
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SUFFRAGE MOVEMENT IN KATJA VON GARNIER’S IRON JAWED ANGELS MOVIE (2004): A SOCIOLOGICAL APPROACH
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THE HARMONY AMONG RELIGIONS IN JERUSALEM IN RIDLEY SCOTT’S KINGDOM OF HEAVEN MOVIE (2005): A SOCIOLOGICAL APPROACH
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ANXIETY OF AUGUST RUSH IN AUGUST RUSH MOVIE BY KRISTEN SHERIDAN (2007): A PSYCHOANALYTIC APPROACH
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LOGIC VERSUS MAGIC IN MICHAEL ROBERT JOHNSON’S SHERLOCK HOLMES HOLIDAY MOVIE (2009): A SOCIOLOGICAL APPROACH
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CONFLICTS OF FAITH AND SCIENCE IN RON HOWARD’S ANGELS AND DEMONS MOVIE (2009): A SOCIOLOGICAL APPROACH RESEARCH PAPER
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BETWEEN THE IDEAL AND PRAGMATIC INTERESTS IN LOACH’S THE WIND THAT SHAKES THE BARLEY MOVIE (2007): A MARXIST CRITICISM
door: PERMANASARI, PRIHANA INDA
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THE MEANING OF NASEEM’S LOVE REFLECTED IN VIC SARIN’S PARTITION MOVIE (2007): A HUMANISTIC PSYCHOLOGICAL APPROACH
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THE GREEK MYTH IN MODERN ERA IN CHRIS COLUMBUS’ PERCY JACKSON AND THE LIGHTNING THIEF MOVIE (2010): A SOCIOLOGICAL APPROACH.
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DEFENSE MECHANISM OF CLARICE STARLING IN THE SILENCE OF THE LAMBS MOVIE (2007) DIRECTED BY JONATHAN DEMME:A SYCHOANALYTIC APPROACH
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FREEDOM OF THOUGHT IN THE FALL OF THE IMAM NOVEL BY NAWAL EL SAADAWI (1988): A GENETIC STRUCTURALISM APPROACH
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ERIN GRUWELL’S EFFORT TO BE A GOOD TEACHER IN RICHARD LAGRAVENESE’S FREEDOM WRITER 2007: AN INDIVIDUAL PSYCHOLOGICAL APPROACH
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INJUSTICE IN RIDLEY SCOTT’S GLADIATOR MOVIE: A MARXIST APPROACH
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A SUBTITLING ANALYSIS OF SWEARING WORD IN 48 HOURS MOVIE
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THE SEARCH FOR INDIVIDUAL IDENTITY IN SHERIDAN’S AUGUST RUSH MOVIE: PSYCHOLOGICAL APPROACH
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THE USE OF ABUSIVE LANGUAGE IN THE FAST AND FURIOUS MOVIE (2001): PRAGMATICS STUDY
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A SOCIO-PRAGMATIC ANALYSIS ON UTTERANCES OF CRITICISM IN ARISTOCRATIC MOVIE MANUSCRIPT
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SOCIAL DISCRIMINATION IN MIKE NEWELL’S PRINCE OF PERSIA (2010): A SOCIOLOGICAL APPROACH
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